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October 30, 2008 RSS

Ciao Fabrizio De André!

Ten years ago, one of the true greats of Italian music left us:  Fabrizio de André. This time of year, many people who revered him back then once again turn their minds to him, both within and outside the borders of Italy. Even cinema legend Wim Wenders celebrated him as one of the greatest contemporary artists, likening him to Bob Dylan.
 
Silvio Orlando e Fabrizio De André
 
Wim Wenders' statement is just one of many that Teresa Marchesi has collected in compiling her film Effedia - Sulla mia cattiva strada ("Effedia -  Mine is the Wrong Way"), a documentary about the Geonese songster. De André himself preferred the title 'songster' to 'poet'. This emerges from one of the interviews selected by the director, filmed to relate his thoughts and his art. The material of the film furthermore comprises De André's texts, music, concerts and television performances, as well as numerous interpretations of his songs by other artists. The film needs no other source to tell the story of 'Faber' (the nickname given to De André by his childhood friend Paolo Villagio): The words and music which, over a 40-year career, constructed a legend, are enough.
 
 
 
Per De André un fan d'eccezione: Wim Wenders
Per De André un fan d'eccezione: Wim Wenders
In Effidia, there is both a lot of music and a lot of film: Aside from Wim Wenders, Gabriele Salvatores, with whom De André filmed a video clip, also makes an appearance. Beyond that, there are extracts from Luciano Salce's La Cuccagna and Marco Ferreri's La Carne. In both films, De André's pieces are performed by Luigi Tenco and Sergio Castellito. Thus, the marriage of cinema and music is once again consummated. That's why the decision to honor Effedia with presention at the festival prior to the release of the DVD is the right one. The songster, however, also contributed to another film: Daniele Constantini's Amore che vieni, Amore che va ("Love that Comes, Love that Goes"). This film was inspired by a novel written many years ago by De André and Alessandro Gennari.
 
 
But our musical day actually began at 5pm, with the final edition of A Tea with MINI Ciak. Silvio Orlando (2008 Coppa Volpi in Venice for best male actor) and some of his young acting colleagues, together with their teacher Mario Raia, presented the Nobody's Perfect Orchestra. We had already had the opportunity to experience the first public performance of these musical actors as part of the screening of Brando De Sica's Parlami di me.
 
Un tè con MINI Ciak
Un tè con MINI Ciak
We really enjoyed listening to the opinions of some of the contributors, and to their explanations of how and why this idea was brought into being. They told us of evenings at the home of the maestro Raia, and the process necessary to ensure a well-prepared appearance at the film festival in Rome. (While Raia assured us of the musical quality of his 'students', Silvio Orlando, modest and self-deprecating, was a harsh critic of himself; at any rate, we thought they were fantastic.)
 
What did emerge, however, from Silvio and everyone else, was a genuine pleasure in making music together. In the end, strength lies in unity. So: Is a performance at the San Remo Music Festival locked in?
 
 
 
 
 
 
 

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